Matthias Meyer
More Or Less

immersive ambient for cold winter days

Hard trance and lets go!

Welcome Back! Now, that hopefully goes for the public & parties, life & love and most definitely for Klasse Wrecks’s mastermind Luca Lozano and Running Back. Bigger and better, rougher and tougher, „Boss Moves 2“ boldly starts, where the first part left us: somewhere in London’s record store Bermuda triangle between Black Market, Fat Cat and Release The Groove circa 1995. You will hear traces of Italian imports and IDM, European techno, British breakbeat and bass music culture, the DNA of what would turn into tech-house. With Luca Lozano as the conduit, „Boss Moves 2“ seems like a kaleidoscope of influences and a flash of inspirations.Seemingly all of a piece, it never appears like a scheme, but rather as a spirited, soulful and special double pack for dancers, DJs and devotees. Made in Sheffield and done with determination!

Them bad boys Funeral Future sucking ice pops and kicking your ass! Euromantic techno heads always wins.

‘Antidawn’ reduces Burial’s music to just the vapours. The record explores an interzone between dislocated, patchwork songwriting and eerie, open-world game-space ambience. In the resulting no man’s land, lyrics take precedence over song, lonely phrases colour the haze, a stark and fragmented structure makes time slow down.‘ Antidawn’ seems to tell a story of a wintertime city, and something beckoning you to follow it into the night. The result is both comforting and disturbing, producing a quiet and uncanny glow against the cold. Sometimes, as it enters 'a bad place', it takes your breath away. And time just stops.