Tyrez
Moda

Techno/house - The Goodiepal track rocks!

It´s the boogie the boogie the boogie

Dark Days is the debut offering from Berlin-based Anglo-American trio Deep Heavy Fear. A twelve inch of glimmering pop melodies with a portentous undercurrent, comprised of two tracks from a batch of songs co-produced with cult Bremen synth-pop allies Saâda Bonaire. The A-side's serpentine synth bass and sub-100 bpm mark it for downtempo dancefloor consumption, while the B-side charts a tentative homeward retreat through twilit murmurations. Self-pressed & presented in a hand-printed and numbered multi-colour kraftpak sleeve, designed by band vocalist Chloe Grove. Limited edition of 137 copies.

Tout Bleu's second record, Otium, recalls a route where the electronic crosses paths with the acoustic.This new milestone in Genevan multi-instrumentalist Simone Aubert's (Massicot, Hyperculte) musical field represents a kind of fruitful deceleration. Initially conceived as a solo project in 2018, the act is now an exploration ground for the musicians gathered on Otium : Naomi Mabanda on the cello (Orchestre Tout Puissant Marcel Duchamp, Chien Mon Ami) and Luciano Turella on the alto (Irtum Branda) encounter the sampling machines of POL, that could already be found on the first eponymous album Tout Bleu. In Tout Bleu's music, the part-melodic, part-abrasive riffs reminiscent of Massicot are present, and so are the socially engaged, energetic singing of Hyperculte. However, the band, by using acoustic instruments, vocals and electric guitar in an unconventional way, draws an orchestral landscape that sometimes flirts with pop, and where strings merge in polyrythm on low tempo beats.

Japanese new-age music gone electro. Just absolutely astonishing and blissful 🌾Press text_______________________________“ When I started working on the piece in March of 2020, I had only decided to record it in the way I wanted to. The coronavirus was spreading globally, and the situation was gradually changing into something very serious. With no gigs scheduled and hardly seeing anyone, I felt as if my spirit was in a slightly deeper place than usual during the production. I sat down in front of my equipment as if I were dropping a fishing line into a quiet lake. I kept feeling that something new was lurking beneath the water surface. I was trying to catch that something that seemed to be just out of reach, that floated in and out of sight like a speck of smoke. “ ＿Referenced from: Afterword of 7FO「Ran - Bouten」2021 brings a new album by Osaka electronic musician / producer 7FO. This work is a departure from the recent global ambient / new age approach, and the unique sound aesthetic created using only hardware equipment is a new frontier of 7FO or a return to his origin. "Ran - Bouten" is a new electronic music album with a poetic sensibility using machines. Discovered by overseas labels such as RVNG intl., Bokeh Versions, and Metron-and with the release that followed EM Records in his hometown Osaka, it's like his personal folk craft that was once quietly played at his own pace. Music has reached listeners around the world. In recent years, he has been touring from a famous performance with Tapes at the Belgian "Meakusma Festival 2019" to a Japan-Korea tour. "Ran - Bouten" was born as a result of facing the sound alone without being asked by anyone to cool down the heat when the steaming and intense experience had settled down. Inside the cool electronic sound like a water bath, you can feel the maker's heart sending hot blood.Peep into the condensed universe of a home-recorded miniature world that looks like an independent production of unknown age. He was alone in a dark room, making full use of KAWAI's 1990 digital and FM synthesizers , tracing the shape of nature and resonating the micro and macro sound worlds. The Rhythm and melody that continues to the Paradise Pure Land, which floats in a dreamy atmosphere, is the true value of 7FO even without his guitar play. Mastering by Makoto Oshiro, which supports everything from home listening to club sound systems. Hiroaki Hidaka designed the jacket to make the image of the sound appear cool and friendly everywhere.